Showing posts with label Ace of Diamonds. Show all posts

Page 34  

Posted by Ben in ,

Previously: Click here for the beginning of the series. Click here for the beginning of this issue. The musical villain The Troubadour is making trouble, and it seems his motivation is to goad Ace of Diamonds into a confrontation . . . an epic showdown . . .

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Previous Page | Next Page

COMMENTS:

If you ask me, there are better methods for fighting writer's block!

Here's a couple of mine: writer's block articles from my blog Myth-Understanding.

Still, I like the insidiousness of an artist being so willing to feed his inner muse that he will kill and harm other people. But it's no different, really, than any other villain's motivation. Art is just another way people seek to achieve what many of the great villains seek: immortality!

With Ace knocked out, two things will be happening next that I am excited about:

1. The horse fight.

2. The dream sequence.

Will Ace learn more about his past? Tune in next time!

~ Ben

“Ace” of Diamonds, Remix Comix, Whisperingloon Studios, and the other stuff I made up for this webcomic are TM and (C) Ben Avery, 2010. While the original Black Diamond Western is in public domain, “Ace” of Diamonds (the story and the artwork) and the contents of this page are NOT public domain.

Page 33  

Posted by Ben in ,

Previously: Click here for the beginning of the series. Click here for the beginning of this issue. The musical villain The Troubadour is making trouble, so Ace sets a trap for The Troubadour and his gang. The trap works, but only in that the Troubadour gave up his as an invitation to Ace . . . an invitation to a showdown . . .



COMMENTS:

Yes, they surrendered THAT quickly. Seems like the old "dress up as women to throw the bad guys off guard" trick really works!

Of course, since I'm rewriting things here, I chose to make it more of a "pretend the 'dress up as women to throw the bad guys off guard' actually worked so that the GOOD GUYS can be thrown off guard" kind of thing . . . so that their boss can write a song about it!

I like this character, The Troubadour. He creates excitement and trouble so he can write music! Crime is his muse! This is where this exercise in comic book creation has been a lot of fun.

~ Ben

“Ace” of Diamonds, Remix Comix, Whisperingloon Studios, and the other stuff I made up for this webcomic are TM and (C) Ben Avery, 2010. While the original Black Diamond Western is in public domain, “Ace” of Diamonds (the story and the artwork) and the contents of this page are NOT public domain.

Page 32  

Posted by Ben in ,

Previously: Click here for the beginning of the series. Click here for the beginning of this issue. The musical villain The Troubadour is making trouble. There's really only one person for the job . . .



COMMENTS:

Yes, they surrendered THAT quickly. Seems like the old "dress up as women to throw the bad guys off guard" trick really works!

Of course, since I'm rewriting things here, I chose to make it more of a "pretend the 'dress up as women to throw the bad guys off guard' actually worked so that the GOOD GUYS can be thrown off guard" kind of thing . . . so that their boss can write a song about it!

I like this character, The Troubadour. He creates excitement and trouble so he can write music! Crime is his muse! This is where this exercise in comic book creation has been a lot of fun.

~ Ben

“Ace” of Diamonds, Remix Comix, Whisperingloon Studios, and the other stuff I made up for this webcomic are TM and (C) Ben Avery, 2010. While the original Black Diamond Western is in public domain, “Ace” of Diamonds (the story and the artwork) and the contents of this page are NOT public domain.

Page 31  

Posted by Ben in ,

Previously: Click here for the beginning of the series. Click here for the beginning of this issue. The musical villain The Troubadour is making trouble. There's really only one person for the job . . .



Ah, yes! The classic "dress up as women to throw the bad guys off guard" trick! If nothing else, it's good for a laugh to see our big burly cowboy man heroes in drag, right?

They actually used this ploy on Firefly. I love Firefly. I love Joss Whedon (mostly). But really? Using the old "dress up as women to throw the bad guys off guard" trick the 21st century? I expect it in a 1950s Western comic book . . . or maybe Little House on the Prairie.

~ Ben

“Ace” of Diamonds, Remix Comix, Whisperingloon Studios, and the other stuff I made up for this webcomic are TM and (C) Ben Avery, 2010. While the original Black Diamond Western is in public domain, “Ace” of Diamonds (the story and the artwork) and the contents of this page are NOT public domain.

Page 30  

Posted by Ben in ,

Previously: Click here for the beginning of the series. Click here for the beginning of this issue. The musical villain The Troubadour is making trouble. There's really only one person for the job . . .




COMMENTS:

Finally . . . some action is about to happen!

~ Ben

“Ace” of Diamonds, Remix Comix, Whisperingloon Studios, and the other stuff I made up for this webcomic are TM and (C) Ben Avery, 2010. While the original Black Diamond Western is in public domain, “Ace” of Diamonds (the story and the artwork) and the contents of this page are NOT public domain.

Page 29  

Posted by Ben in ,

Previously: Click here for the beginning of the series. Click here for the beginning of this issue. The Troubadour is making trouble. There's really only one person for the job . . .




COMMENTS:

Lots of exposition here.

That's one talent we've lost. I was reading a couple collections of old Marvel comics and in each issue, one or two pages were dedicated to just explaining who the book was about how how that got that way. In old X-Men comics, it could be a little humorous, trying to show in a natural setting the usage of each character's power. So maybe Angel would knock over a tea cup with his wings, and Marvel Girl would use her telekinesis to make sure the tea didn't get all over the carpet (I made that example up, but it's almost -- ALMOST -- humorous how in those old comics Marvel Girl and Invisible woman would use their powers, sometimes directly and sometimes indirectly, for domestic-related duties).

These days, it's possible to open a comic and not even know the names of the characters you're about to read about, let alone their powers. It seems that modern comics are, more and more, not just being written for the ultimate collection, but being written for readers who are already familiar with the characters.

Sorry, my rant is over. At least those old Marvel comics tried to show, not tell. Here? Lots of wordy exposition. I tried to "show, not tell" . . . but it just became "showing people telling" in my dialogue. :)

~ Ben

“Ace” of Diamonds, Remix Comix, Whisperingloon Studios, and the other stuff I made up for this webcomic are TM and (C) Ben Avery, 2009. While the original Black Diamond Western is in public domain, “Ace” of Diamonds (the story and the artwork) and the contents of this page are NOT public domain.

Page 28  

Posted by Ben in ,

Previously: To read from the beginning, click here. Last issue, Ace confronted the ruthless and deadly Faro Kid. Now, a new threat is making itself known . . .




COMMENTS:

I went back and forth with The Troubadour's "music". Do I write songs for him? Or do I find songs for him? At one point, I was going to use public doman hymns, make him some sort of religious singing bandit, which could have been cool. Or have him sing renaissance era love songs. If I wrote songs for him, would it be intentionally funny songs? Serious songs? In the end, I went with "earnest" songs. I think he makes these songs up on the spot, to suit the situation. He does compose real songs as well, but I kind of view him as a cowboy version of a freestyle rapper.

~ Ben

“Ace” of Diamonds, Remix Comix, Whisperingloon Studios, and the other stuff I made up for this webcomic are TM and (C) Ben Avery, 2009. While the original Black Diamond Western is in public domain, “Ace” of Diamonds (the story and the artwork) and the contents of this page are NOT public domain.

Page 27  

Posted by Ben in ,

Previously: To read from the beginning, click here. Last issue, Ace confronted the ruthless and deadly Faro Kid. A dream (in which Ace's hat told him the story of how Ace murdered Faro Kid in cold blood) caused Ace to believe that Faro Kid may have had some clues to Ace's past. It was a dead end. After besting Faro Kid in a shoot out, Ace found some comfort in the fact that he may not have learned about his past, but he had done some good. Meanwhile, Strongarm, Ace's sidekick, shared a secret with the mysterious Athena. A secret meant to be kept from Ace . . .




COMMENTS:

I've said it before, gentle reader, I love the splash page that sets up the story at the beginning of old comics. It's like a second cover, in many ways. If I could get away with it in my own stories, I'd try it. Sadly, like thought balloons, it's a trope of the past.

I love thought balloons as well, I have to say, and wish they were used more often in modern comics. They've been entirely replaced by the first person caption box, which is useful and makes for dramatic storytelling.

But sometimes, the old ways are good.

The art in this Black Diamond Western story is by William Overgard. With no writer listed, it is possible he wrote the thing as well, although I'm not convinced of that. I love his line work, and wish I were an artist because I believe there is much that could be learned from his artwork here. Some later issues of Black Diamond Western are pretty terrible.

~ Ben

“Ace” of Diamonds, Remix Comix, Whisperingloon Studios, and the other stuff I made up for this webcomic are TM and (C) Ben Avery, 2009. While the original Black Diamond Western is in public domain, “Ace” of Diamonds (the story and the artwork) and the contents of this page are NOT public domain.

"Six Shooters and Six Strings" Cover  

Posted by Ben in ,

Previously: To read from the beginning, click here. Last issue, Ace confronted the ruthless and deadly Faro Kid. A dream (in which Ace's hat told him the story of how Ace murdered Faro Kid in cold blood) caused Ace to believe that Faro Kid may have had some clues to Ace's past. It was a dead end. After besting Faro Kid in a shoot out, Ace found some comfort in the fact that he may not have learned about his past, but he had done some good. Meanwhile, Strongarm, Ace's sidekick, shared a secret with the mysterious Athena. A secret meant to be kept from Ace . . .




COMMENTS:

Lev Gleason proudly announced on the cover of this issue of Black Diamond Western "In this issue: THE BEST STORY WE EVER PUBLISHED IN ANY MAGAZINE!" I'm not going to make the same proclamation, gentle reader, although I am excited about this story.

The artwork for this story comics from Black Diamond Western #16. You can see the cover here. Technically, the seventh issue of the series (Black Diamond Western started with issue #9; before that it was called Desperado), by now they had hit their stride. Also, in this issue they had two Black Diamond stories and fewer unrelated stories. (By the end of the series, they had three Black Diamond stories in each issue.)

This is issue #2 for me, though. I will be using almost all of the artwork from BDW #16, although I may dip into another issue for Ace's dream. Actually, the structure of this story allows for a couple dream sequences.

I hope you enjoy "Six Shooters and Six Strings", gentle reader.

~ Ben

PS -- I'm sorry, I couldn't resist using the "No animals were harmed . . ." line. It's my answer, in a way, to Lev's assurance that this was the best story they had ever published. Let's face it, this story features a man with a "gun-tar", but it also centers around a horse fight! It's fairly brutal!

PPS -- The sidebar with the poem like wording comes from a "theme song" I've written about Ace. I haven't set it to music. It just sort of accidentally happened as I was trying to come up with a quick way to set up his story, and the wording started to rhyme. When I did it, I was reminded of Joss Whedon, and how he wrote the theme song to Firefly and when he suddenly understood what he was creating. Something similar happened to me. It didn't change much of what I was already planning, but it just kind of hung a sign on it. Made it more clear. It was almost like a "Hollywood logline", where you distill the essence of your story into a single sentence.

“Ace” of Diamonds, Remix Comix, Whisperingloon Studios, and the other stuff I made up for this webcomic are TM and (C) Ben Avery, 2009. While the original Black Diamond Western is in public domain, “Ace” of Diamonds (the story and the artwork) and the contents of this page are NOT public domain.

Page 26  

Posted by Ben in ,

Previously: To read from the beginning, click here. Ace has won his final struggle with Faro Kid, and in the process learned that his dream may have mislead him in more than one way . . .




COMMENTS:

Well, gentle reader, the first issue is complete! Starting next Wednesday we'll be presenting Ace of Diamonds Issue 2: "Six Shooters and Six Strings"! (I like it when chapter titles have a common theme. I think the "Noun and Related-but-different-noun" is going to be the theme here in ace.)

The lion's share of the artwork from issue 2 will actually come from Black Diamond Western's issue 16. Lev Gleason, who published the original series, said of BDW #16, "The best story we ever published in any magazine!" We'll see!

So my search for western related webcomics came up pretty empty, with just a couple worth mentioning (and I did mention them here -- you should check them both out, they're great!), but I did find another comic that is related to Ace of Diamonds in a different way: the use of public domain comics!

Mike Parkinson's Out of Print is like a "Mini-Marvels" for the public domain set! I've seen people do new serious stories using public domain superheroes and I've seen people play it for laughs, but I've never seen anyone do it quite like Mike is. The basic concept is that it's the present-day, and all those old superheroes are attending a support group for characters who have lapsed into the public domain. What makes this fun and unique is that they are drawn in a very cartoony, stylish way. "We look like we're straight outta Peanuts," one character complains. The characters are self-aware, knowing they are comic characters and even speaking with the artist on occasion.

I told Mike yesterday, "We're two sides of the public domain coin." He's using characters and concepts, I'm using artwork, and we're both creating something new! Out of Print is very fun and well worth your time. It's also relatively new, meaning it won't take you long to get up to date reading through the archives (a good thing) but that also means you'll get through the archives quickly and have to wait for new comics (bad thing). Check it out!

~ Ben

PS -- If you haven't already, check out the line work from yesterday's page of art! William Overgard was the artist, and the movement of the lines and the way your eye follows the curves is something I find remarkable. (Something else I find remarkable: Overgard wasn't just an artist, he was a writer and scripted episodes of Silver Hawks and Thundercats!)

“Ace” of Diamonds, Remix Comix, Whisperingloon Studios, and the other stuff I made up for this webcomic are TM and (C) Ben Avery, 2009. While the original Black Diamond Western is in public domain, “Ace” of Diamonds (the story and the artwork) and the contents of this page are NOT public domain.

Page 25  

Posted by Ben in ,

Previously: To read from the beginning, click here. Ace has just learned that while his dream suggested Faro Kid may have a link to Ace's unknown past, in reality the criminal seems to know nothing. They have a shootout, which Ace wins, and he then decides to make things fair by engaging in hand to hand with his enemy.




COMMENTS:


One more page in this first issue. Next Wednesday, Issue 2 will begin!

It's been an interesting week for me, regarding Ace of Diamonds. I got some really encouraging feedback (some from friends, some from people I don't know) and some really discouraging feedback (some from people I don't know at all and some from people I kinda know, online, sorta by reputation). I expected some people to just not like what I'm doing, but I was slightly taken aback by the intensity of the negative responses.

Of course, this feedback has caused me to think about why I'm doing this. And the main reason is, frankly, to sharpen my skills as a writer. The constraints I put on myself in this project make things difficult, and that's on purpose. Already it has paid off, as I had to rewrite a script for an artist on my newest project (this artist, coincidentally, is the artist of a western comic . . . but our project together is about ancient Israel). The rewrite made me go in and really dissect things. And as I've said in some of my blog postings on my Myth-Understanding blog (in the section called The Way of the Writer), you have to use your muscles or you'll lose them!

Now, of course, as soon as I post this for public consumption, it becomes something beyond just a personal experiment. Like ANYONE who publishes ANYTHING, I do so in the hopes that some people will read it and enjoy it. People who put up their writings or art online and say they don't care what people think are lying: if they didn't care what people thought, they wouldn't put it in a place where people can see it! They may not be bothered by reactions, but reactions are why they put it in a public forum: whether they seek positive or negative reactions, they are seeking a reaction. Most people are seeking for positive reactions, whether to make people happy or interested in thinking about something, or to get their ego stroked. Some people are seeking negative reactions, in that they really want to make people upset. I'm no different. I started this as a webcomic because I hoped that maybe some people would enjoy seeing what I'm doing. And some people really have. Mission accomplished!

Other people haven't. I hesitate to use exact words, because the person who sent me one reaction didn't send it to me to share with the world and we've talked since then and I can actually understand his problem with what I'm doing. I don't agree with his opinion, but it's his opinion and opinions, unlike facts, aren't right or wrong . . . they just are. But he had a problem with me using someone else's artwork, even though it was in the public domain, for something it was never intended to be used for. And that's a fact: I am using Black Diamond Western's artwork for something that never intended it to be used for. However, here's where we differ: I believe that's the exact reason that we have the public domain.

The public domain exists so that we can take works of art, statements from the past, and use them to create new works of art, statements from the present. Now, I do not believe that copyright law is bad. That protects recent works and allows artists to benefit from their creations. But, let's be honest, part of my career is built on the public domain! The public domain allowed me to take cultural touchstones and reference them directly, making my own artistic statement about them.

This is another reason why I'm doing what I'm doing. By using an obscure, public domain comic book that represented pulp comic fiction in all its glory, and rewriting it into a story that, honestly, represents my conception of modern "pulp" fiction storytelling, I'm making an artistic statement.

And while I didn't expect it, I welcome the dialogue it has created. Because, at the end of the day, isn't that what art is really all about? Dialogue, first and foremost between the artist and the viewer with the art itself as the conduit; between different viewers; and, sometimes, between the artist and viewer as they actuall communicate about the art.

Regardless, gentle readers, I'm in this for the long haul! I have the issues I will be using to present Ace's origin, and the issue that will be his last adventure! Unlike network television, I will not leave you hanging with no answers by canceling this puppy mid-season! I welcome your comments (if you use the comments below, though, please don't be obscene -- I would delete that because as much as it could add to the conversation, it would take more away).

~ Ben

“Ace” of Diamonds, Remix Comix, Whisperingloon Studios, and the other stuff I made up for this webcomic are TM and (C) Ben Avery, 2009. While the original Black Diamond Western is in public domain, “Ace” of Diamonds (the story and the artwork) and the contents of this page are NOT public domain.

Page 24  

Posted by Ben in ,

Previously: On his way to rescue a town from the deadly Faro Kid, Ace tells his partner Strongarm about a dream in which his hat told him how the Faro Kid may be a key to Ace's past. Meanwhile, in town, the Faro Kid is waiting for the inevitable showdown. To read from the beginning, click here.




COMMENTS:

I've seen gunfighters so good they shoot guns out of people's hands.

I've seen gunfighters do fast they shoot before the other guy even draws . . . even when it's the other guy who calls the draw.

But I've never seen a gunfighters so good and fast that he's able to both outdraw his opponent AND win the gunfight by shooting the HAMMERS OFF THE OTHER GUY'S GUNS!!!

That's pretty impressive. That's what I love about old Westerns. Yes, the gunfights may not be realistic. But when they do that unrealistic gunfight, it's all about control. They have the power to put a bullet in the other guy's heart. Or even the other guy's eye! But instead, they restrain themselves. They only do what's necessary.

Unfortunately, it also creates a situation where your protagonist is unstoppable and there's no tension when he goes into a fight.

Just a couple more pages in this first issue!

~ Ben

“Ace” of Diamonds, Remix Comix, Whisperingloon Studios, and the other stuff I made up for this webcomic are TM and (C) Ben Avery, 2009. While the original Black Diamond Western is in public domain, “Ace” of Diamonds (the story and the artwork) and the contents of this page are NOT public domain.

Page 23  

Posted by Ben in , ,

Previously: On his way to rescue a town from the deadly Faro Kid, Ace tells his partner Strongarm about a dream in which his hat told him how the Faro Kid may be a key to Ace's past. Meanwhile, in town, the Faro Kid is waiting for the inevitable showdown. To read from the beginning, click here.

Previous Page | Next Page


COMMENTS:

Wow. So my quest for Western Webcomics, while not quite finished, is turning up very few results!

Here's what I have thus far:

PURE: A sci-fi/western/fantasy type of story. The creator said it was inspired by "missing Bravestar" (a sci-fi western Saturday morning cartoon from the '80's). It's fun, though. And part of an interesting trend.

HIGH MOON: A horror/western, High Moon has all the trappings of a good Western: hero with a mysterious past, gunfights, bounty hunting, awesome scenery. Add werewolves into the mix, and you've got an interesting read. (This falls into my "I-had-a-similar-idea-but-they-did-it-first-and-did-it-better-than-I-could" category; a category that is, sadly, quite large.)

Another webcomic -- a sci-fi/western mashup -- I found accidentally, through an ad on a completely unrelated webcomic site . . . and didn't bookmark it and can't find it now! But it was pretty good!

I did find a couple more, but after looking at them I really just decided that they weren't really the kind of thing I wanted to promote. One contained graphic this, another contained graphic that, and another just didn't appeal to me at all.

But here's the one constant: no Western themed webcomic has been JUST a Western! Sci-fi Western, yes. Horror Western, yes. But Western Western? No. I find this curious. It also makes me want to try to develop a Western series that's just a good Western series. Even Ace of Diamonds isn't JUST a Western . . . it's a gimmick wrapped in Western wear! Although, the gimmick itself forces it to be a Western Western.

Meanwhile . . . I received my first ever fan art for Ace of Diamonds! It was drawn by Jamie Cosley of Crashland Studio. Here it is:



Just thought I'd share the awesomeness. :)

~ Ben

“Ace” of Diamonds, Remix Comix, Whisperingloon Studios, and the other stuff I made up for this webcomic are TM and (C) Ben Avery, 2009. While the original Black Diamond Western is in public domain, “Ace” of Diamonds (the story and the artwork) and the contents of this page are NOT public domain.

Page 22  

Posted by Ben in ,

Previously: Ace and his partner Strongarm are on their way to rescue a town from the deadly Faro Kid. As they travel, Ace tells his companions about a dream he had, in which his hat told him how the Faro Kid may be a key to Ace's past. To read from the beginning, click here.



COMMENTS:

Watching and listening to some old Westerns recently has caused me to decide I really need to use the word "die" and variations thereof more. There's ALWAYS some sort of dialogue like this:

"You gonna draw fast?"
"Yeah, and you're gonna die fast."
Or

"You'll be sorry!"
"And you'll be dead!"
It's part of what makes Westerns great!

~ Ben

“Ace” of Diamonds, Remix Comix, Whisperingloon Studios, and the other stuff I made up for this webcomic are TM and (C) Ben Avery, 2009. While the original Black Diamond Western is in public domain, “Ace” of Diamonds (the story and the artwork) and the contents of this page are NOT public domain.

Page 21  

Posted by Ben in ,

Previously: Ace and his partner Strongarm are on their way to rescue a town from the deadly Faro Kid. As they travel, Ace tells his companions about a dream he had, in which his hat told him how the Faro Kid may be a key to Ace's past. To read from the beginning, click here.




COMMENTS:

This is the end of the dream. With the next page, we enter into "real time" again.

There are more dreams to come, though!

On Monday, my schedule and my local comic creator group's schedule finally got into sync again, so I was able to work on Ace of Diamonds there, which meant I had two or three hours of concentrated Ace time along with some pretty serious geek time, talking pretty seriously about important things like Fringe, comic conventions, and awful movies.

~ Ben

“Ace” of Diamonds, Remix Comix, Whisperingloon Studios, and the other stuff I made up for this webcomic are TM and (C) Ben Avery, 2009. While the original Black Diamond Western is in public domain, “Ace” of Diamonds (the story and the artwork) and the contents of this page are NOT public domain.

Page 20  

Posted by Ben in ,

Previously: Ace and his partner Strongarm are on their way to rescue a town from the deadly Faro Kid. As they travel, Ace tells his companions about a dream he had, in which his hat told him how the Faro Kid may be a key to Ace's past. To read from the beginning, click here.




COMMENTS:

I love how Nick Pharaoh pulls the classic "ran out of ammo, so must throw the gun" move.

Reminds me of someone (can't remember who) who once said that he never understood why criminals, after unloading their guns at Superman and having the BULLETS bounce off him, would throw their gun at him, like it's going to actually do better. Then again, he continued, he also never understood why Superman, after having the bullets bounce off him, would duck when they threw their guns! Sorry, that has nothing to do with Westerns. Just where my train of thought went.

There's now two bonus stories on the site, gentle reader.

Wednesday, I posted a link to the 24-Hour Comic I did a few years ago, called The Ballad of the Freak. Many of the pages have commentary about my experience writing and drawing the story.

Today, I'm proud to show you a story that, if I tried to do anything with it now, would be called a rip off of Zuda's High Moon webcomic. I assure you, it does pre-date High Moon, although High Moon's prominence has caused me to hold off doing anything else with the concept.

It's called Gideon's Army. It's an old story, and if I had it to do over again I'd do a LOT of things differently, but I have a special place for it in my heart.

~ Ben

“Ace” of Diamonds, Remix Comix, Whisperingloon Studios, and the other stuff I made up for this webcomic are TM and (C) Ben Avery, 2009. While the original Black Diamond Western is in public domain, “Ace” of Diamonds (the story and the artwork) and the contents of this page are NOT public domain.

Page 19  

Posted by Ben in ,

Previously: Ace and his partner Strongarm are on their way to rescue a town from the deadly Faro Kid. As they travel, Ace tells his companions about a dream he had, in which his hat told him how the Faro Kid may be a key to Ace's past. To read from the beginning, click here.




I'm really having a hard time "holdin' my horses", gentle reader. I really want to post the next few pages. The last page of the dream surprised me.

Meanwhile, if you notice I've added a section over to the right labeled "Extras". These extras are going to be some other Western comics I've written. The first one is called "The Ballad of the Freak", a 24-Hour Comic I wrote and drew a few years ago. It's what I call a "Jimmy Stewart Western" (as opposed to a "John Wayne Western" or a "Clint Eastwood Western"). It's a project I am very proud of, and one of the few stories I've written that I enjoy going back to over and over again. Like many writers, when I end a story it can be hard to want to go back and read it (unless I have to, for continuity purposes). This 24-Hour Comic is not like that. I still enjoy going back and reading it. I think part of it comes from the enjoyment of reliving the project process.

~ Ben

“Ace” of Diamonds, Remix Comix, Whisperingloon Studios, and the other stuff I made up for this webcomic are TM and (C) Ben Avery, 2009. While the original Black Diamond Western is in public domain, “Ace” of Diamonds (the story and the artwork) and the contents of this page are NOT public domain.

Page 18  

Posted by Ben in ,

Previously: Ace and his partner Strongarm are on their way to rescue a town from the deadly Faro Kid. As they travel, Ace tells his companions about a dream he had, in which his hat told him how the Faro Kid may be a key to Ace's past. To read from the beginning, click here.




I'm noticing a distinct lack of Western webcomics out there.

Obviously, the big one out there is High Moon, a werewolf western, on Zuda.com. To be honest, I haven't been reading it. I'm a bit jealous that they got out there first. My own supernatural western comic, Gideon's Army, was going to use classic western titles with "horror" twists as chapter titles. The one story I DID complete was called "The Quick and the Undead" which I've since found out is ALSO not completely original. Ah well.

If anyone does know of any Western webcomics, let me know. I'd like to link to them.

~ Ben

“Ace” of Diamonds, Remix Comix, Whisperingloon Studios, and the other stuff I made up for this webcomic are TM and (C) Ben Avery, 2009. While the original Black Diamond Western is in public domain, “Ace” of Diamonds (the story and the artwork) and the contents of this page are NOT public domain.

Page 17  

Posted by Ben in ,

Previously: Ace and his partner Strongarm are on their way to rescue a town from the deadly Faro Kid. As they travel, Ace tells his companions about a dream he had, in which his hat told him how the Faro Kid may be a key to Ace's past. To read from the beginning, click here.


Sorry I missed a week. Between three days visiting my family and two days where I was alone with two of my daughters (the youngest two) and a major project deadline looming overhead (which I made, barely -- you can get details here if you like), Ace of Diamonds kind of took a backseat last week. That's the bad news.

The good news is that even though it didn't get uploaded, pages still got finished! The whole dream sequence is done, so I've actually got a backlog of material. I wasn't sure if it'd be best to actually post pages for the days I missed, or if I should just resume posting today like nothing happened. In the end, I decided to just resume today and go from there.

Anyway, the dream turned out differently than I expected. It ended up being a lot less esoteric than I had planned. It fits much neater into things that I thought it would. This project is sort of happening in a free form fashion. I've looked ahead at the comic story I'm using, but I do four pages at a time. So you'll notice a guy calling Nick Pharaoh "boss" in the beginning of the dream sequence . . . but that guy is actually Brody, head of Brody's gang, and Brody's the boss! (At least, in my version of the story.) I'm justifying it because that panel is a representation of the rest of the dream. But in truth, I did that page as part of a one chunk of pages and when I decided to make Brody head of the gang on the page where he appeared, it was a separate chunk of pages!

Anyway, I'm happy with how the dream turned out. Although, Ace's dream hat is a jerk. I'm not sure if there's a way I can bring HIM back.

But the big question we're wrestling with is this: is the dream real?

~ Ben

“Ace” of Diamonds, Remix Comix, Whisperingloon Studios, and the other stuff I made up for this webcomic are TM and (C) Ben Avery, 2009. While the original Black Diamond Western is in public domain, “Ace” of Diamonds (the story and the artwork) and the contents of this page are NOT public domain.

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Posted by Ben in ,

Previously: Ace and his partner Strongarm are on their way to rescue a town from the deadly Faro Kid. As they travel, Ace tells his companions about a dream he had, in which his hat told him how the Faro Kid may be a key to Ace's past. To read from the beginning, click here.



I must apologize, dear reader, that this page was a bit late (although it was still Friday when I posted it).

As you can tell, in the original story they just gloss over the whole "massacre of everyone in the wagon train" and you can barely tell that the main character was hit by the shovel. In the final panel of the original, I should add, that the bandits then talk about taking scalps to make it look like Indians killed everyone. It's pretty morbid.

~ Ben

“Ace” of Diamonds, Remix Comix, Whisperingloon Studios, and the other stuff I made up for this webcomic are TM and (C) Ben Avery, 2009. While the original Black Diamond Western is in public domain, “Ace” of Diamonds (the story and the artwork) and the contents of this page are NOT public domain.